Chopin's 27 Preludes


   24 Preludes, Op. 28  (1835 - 1839)

         Chopin's 24 Preludes, Op. 28 is one of his most respected and popular works.   

        No. 4 on TalkClassical.com's Poll of 200 Best Solo Keyboard Compositions  

                 Before Chopin, preludes were short pieces that preceded another piece of
         music.  A famous example of this is J.S. Bach's The Well Tempered Clavier 
         from 1722 and 1744 that were a series of preludes and fugues in all 24 major 
         and minor keys.
 
               Johann Hummel (1778 - 1837) was the first composer to write stand-
        alone preludes in 1815.   Hummel was also an influence on Chopin's piano 
        style. 
 
                 Chopin took Bach's work with him to Valldemossa, Mallorca where he, 
         George Sand and her two children spent the winter of 1837-1838.   Chopin
          wrote most of the preludes there.  Like Bach's work, Chopin's series consists

          of a prelude for each of the 24 keys, although he ordered them
          differently than Bach's. 


                  Chopin's 24 Preludes, Op. 28 are a series of short piano pieces designed 
          to evoke a wide variety of emotions.  Like the impromptu, they give the
          impression of being improvised.   Only four of the preludes are 3 minutes or
          or longer.  The great majority of them run between 30 seconds to two minutes.  
          It takes about 40 minutes to play the whole set.  

                  Chopin's Preludes challenged contemporary standards about the worth of 
          very short pieces.


   3 more Chopin preludes:

         Prelude No. 25, Op. 45  (1841) 

         Prelude No. 26  (1834, pub. 1918) 

         Prelude No. 27  "Devil's Trill"  (unfinished)

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          A few of the later composers who wrote Chopin-inspired sets of preludes 
          include Alexander Scriabin, Claude Debussy (2 sets), Olivier Messiaen, and 
                Sergei Rachmaninoff (2 sets).


   Johann Sebastian Bach - The Well-Tempered Clavier, BWV 846–893 (1722)

                                       No. 2: Prelude and Fugue in C minor, BWV 847'

                                                          András Schiff, piano  (3:20)



      Chopin's 24 Preludes:


     The Circle of Fifths - All 12 Keys

           C - G - D - A - E - B - F#/Gb - C#/Db - G#/Ab - D#/Eb - A#/Bb - F - C 


     Relative Major and Minor Scales - All 12 Keys 


          Yuja Wang, piano - Opus 28 Preludes Nos.  4 - 12  (10:30) 

          The nicknames for each of the preludes were coined by the 19th century 
           composer and conductor Hans von Bülow.


                   No. 1 in C major                  "Reunion"  
      
                   No. 2 in A minor                  "Presentiment of death"
      
                   No. 3 in G major                  "Thou art so like a flower"
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                   No. 4 in E minor                 "Suffocation"
       
                   No. 5 in D major                 "Uncertainty"
       
                   No. 6 in B minor                 "Tolling bells"
      
                   No. 7 in A major                 "The Polish dancer"

                   No. 8 in F-sharp minor      "Desperation"
      
                    No. 9 in E major                "Vision"
    
                    No. 10 in C-sharp minor   "The night moth"

                    No. 11 in B major               "The dragonfly"    

                    No. 12 in G-sharp minor    "The duel"
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                    No. 13 in F-sharp major       "Loss"
 
                    No. 14 in E-flat minor          "Stormy sea"

                    No. 15 in D-flat major          "Raindrop"
 
                    No. 16 in B-flat minor          "Hades"
  
                    No. 17 in A-flat major          "Scene on the Place de Notre-Dame de Paris"

                    No. 18 in F minor                 "Suicide"  

                    No. 19 in E-flat major           "Heartfelt happiness" 

                    No. 20 in C minor                  "Funeral March" 

                    No. 21 in B-flat major            "Sunday" 

                    No. 22 in G minor                  "Impatience" 

                    No. 23 in F major                   "A Pleasure Boat" 

                    No. 24 in D minor                  "The storm" 


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