1. Classical vs. Romantic Values in the Arts
2. 19th Century Romantic Visual Arts
The Classical & Romantic Eras:
The Gothic Era (c. 1150 - 1400) was romantic.
The Renaissance (c. 1400 - 1600) was classical.
The Baroque era (c. 1600 - 1750) was romantic.
The music was very passionate (e.g. Vivaldi's The Four Seasons and
Handel's Hallelujah Chorus), and it was complex (e.g. J.S. Bach's
polyphonic fugues).
The Classical era (c. 1730 - 1820)
Early Classical era (c. 1730 - 1830) composers removed the polyphony
and simplified the chord progressions.
They created a simpler, more restrained music with song-like melodies.
Later composers (c. 1770 - 1800), particularly Joseph Haydn and W.A.
Mozart, would add some complexity, (including polyphony), back in,
but their music would still be almost always emotionally positive.
Towards Romanticism (c. 1802 - 1830)
After 1800 composers began transitioning away from classicism towards
romanticism. The most important composer of this period was Ludwig
They created a simpler, more restrained music with song-like melodies.
Later composers (c. 1770 - 1800), particularly Joseph Haydn and W.A.
Mozart, would add some complexity, (including polyphony), back in,
but their music would still be almost always emotionally positive.
Towards Romanticism (c. 1802 - 1830)
After 1800 composers began transitioning away from classicism towards
romanticism. The most important composer of this period was Ludwig
van Beethoven (1770 - 1826). Beethoven never became a fully romantic
composer. But his explorations of subjective emotions and increased
use of minor keys, dissonance, sudden volume changes and dramatic
silences opened new doors for the early Romantic composers who
followed him. Beethoven also greatly increased the technical aspects
of piano playing that would be important to Chopin, Robert Schumann,
composer. But his explorations of subjective emotions and increased
use of minor keys, dissonance, sudden volume changes and dramatic
silences opened new doors for the early Romantic composers who
followed him. Beethoven also greatly increased the technical aspects
of piano playing that would be important to Chopin, Robert Schumann,
and Franz Liszt in the 1830s.
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